“Salvator Rosa” Opera

ATTENTION! No entry will be allowed into the Auditorium after the performance begins. Only spectators dressed in appropriate clothing, in smart casual or business casual attire, will be allowed in. Entry will be strictly denied to anyone wearing clothing deemed inappropriate, such as: crop tops, shorts, miniskirts, and dresses above the knee, as well as flip-flops, except for children up to 10 years old.
Tickets for the "Salvator Rosa" Opera at Theatro Municipal do Rio de Janeiro
🎫 Stalls/Balcony (choose during purchase)

• Full price
• Half-price

Highlights
🎻 Theatro Municipal do Rio de Janeiro presents another unforgettable show!
🎼 A fantastic performance that promises to engage the audience from start to finish
🏛️ Enjoy the spectacular setting of one of Rio de Janeiro's most traditional cultural venues

• General Info
• Sunday, July 12, 2026 – Start at 5:00 PM – Doors open at 4:00 PM
• Wednesday, July 15, 2026 – Start at 7:00 PM – Doors open at 6:00 PM
• Friday, July 17, 2026 – Start at 7:00 PM – Doors open at 6:00 PM
• Saturday, July 18, 2026 – Start at 7:00 PM – Doors open at 6:00 PM

⏳ Duration: 120 minutes
📍 Venue: Theatro Municipal do Rio de Janeiro
👤 Age requirement: 14+
♿ Accessibility: the venue is wheelchair accessible
❓ You can consult the FAQs for this event here
👉 See all the details about half-price tickets here
Description
Theatro Municipal do Rio de Janeiro celebrates its 117th anniversary with a special program that reaffirms its lyrical vocation. The highlight is the opera Salvator Rosa, by Antônio Carlos Gomes, in honor of the 190th anniversary of the composer's birth and the 130th anniversary of his death. The work returns to the house's stage after eight decades without being presented.

The premiere takes place on July 12, the date of the Theatro's anniversary, with the Choir and the OSTM. The production will have concept and stage direction by Julianna Santos, choreography by Hélio Bejani, movement direction by Márcia Jaqueline, and musical direction and conducting by Luiz Fernando Malheiro.