Tickets for the Extraordinary Concert program of Le chant des Muses at the Royal Chapel, Royal Palace of Madrid
š« General Admission
š² Digital ticket, printing is not required
Each user may purchase a maximum of 2 tickets
General Info
š Date: March 18
š Time: 7:30 pm
- Access will begin at 6:30 pm and will close at 7:20 pm; entry to the venue will not be permitted after this time
ā³ Duration: 80 minutes
š Location: Chapel, Royal Palace of Madrid. Entrance via Arco de Santiago (Royal Palace Group Access), C. de BailĆ©n, 6, Centro, 28013 Madrid
š¤ Age: recommended from 8 years old
āæļø Accessibility: venue accessible for people with reduced mobility
Description
This program is the culmination of extensive work over many years of historical research and recovery, aiming to rescue from oblivion and give voice and life to unpublished works, never before recorded or performed, by Baroque women composers, both instrumental and vocal, found in manuscripts from libraries in Paris and Venice. Pieces by twelve composers from Italy, France, Spain, and England will be performed, including up to six unpublished works recovered through historical research (sonatas, suites, dances, correnti, airs).
Program
Music in Oblivion
Isabella Leonarda (1620ā1704).
Sonata No. 12 for solo violin
Francesca Caccini (1587ā1640).
Songs (from Primo libro delle musiche) for voice
Ćlisabeth Jacquet de la Guerre (1665ā1729). Sonata for violin and obbligato viola da gamba (*)
Unpublished piece
I. Grave ā Presto ā Adagio
II. Allegro ā Largo
III. Allegro ā Affettuoso ā Adagio
Ćlisabeth Jacquet de la Guerre (1665ā1729).
French cantata āIl temple rebastiā for voice and basso continuo
Gracia Baptista (fl. 1557)
Conditore Alme
Marieta Priuli (...)
Correnti for violin and spinet (*) unpublished piece
Correnti IāIVāX
Barbara Strozzi (1619ā1677)
Aria Lacrime mie
Mademoiselle Duval (1665ā1729). Instrumental suite
(*) unpublished piece
From Les Génies ou les Caractères
de lāAmour (Paris, 1736)]
[Air]
BourrƩe en rondeau
Sarabande
LāAmour [Air]
Menuet I and II
Mary Dering. A false Designe to be cruel
(*) unpublished piece
Performers
š« General Admission
š² Digital ticket, printing is not required
Each user may purchase a maximum of 2 tickets
General Info
š Date: March 18
š Time: 7:30 pm
- Access will begin at 6:30 pm and will close at 7:20 pm; entry to the venue will not be permitted after this time
ā³ Duration: 80 minutes
š Location: Chapel, Royal Palace of Madrid. Entrance via Arco de Santiago (Royal Palace Group Access), C. de BailĆ©n, 6, Centro, 28013 Madrid
š¤ Age: recommended from 8 years old
āæļø Accessibility: venue accessible for people with reduced mobility
Description
This program is the culmination of extensive work over many years of historical research and recovery, aiming to rescue from oblivion and give voice and life to unpublished works, never before recorded or performed, by Baroque women composers, both instrumental and vocal, found in manuscripts from libraries in Paris and Venice. Pieces by twelve composers from Italy, France, Spain, and England will be performed, including up to six unpublished works recovered through historical research (sonatas, suites, dances, correnti, airs).
Program
Music in Oblivion
Isabella Leonarda (1620ā1704).
Sonata No. 12 for solo violin
Francesca Caccini (1587ā1640).
Songs (from Primo libro delle musiche) for voice
Ćlisabeth Jacquet de la Guerre (1665ā1729). Sonata for violin and obbligato viola da gamba (*)
Unpublished piece
I. Grave ā Presto ā Adagio
II. Allegro ā Largo
III. Allegro ā Affettuoso ā Adagio
Ćlisabeth Jacquet de la Guerre (1665ā1729).
French cantata āIl temple rebastiā for voice and basso continuo
Gracia Baptista (fl. 1557)
Conditore Alme
Marieta Priuli (...)
Correnti for violin and spinet (*) unpublished piece
Correnti IāIVāX
Barbara Strozzi (1619ā1677)
Aria Lacrime mie
Mademoiselle Duval (1665ā1729). Instrumental suite
(*) unpublished piece
From Les Génies ou les Caractères
de lāAmour (Paris, 1736)]
[Air]
BourrƩe en rondeau
Sarabande
LāAmour [Air]
Menuet I and II
Mary Dering. A false Designe to be cruel
(*) unpublished piece
Performers
- Anna Urpina, baroque violin
- Daniel Oyarzabal, harpsichord/organ
- Nicola Brovelli, baroque cello
- MarĆa Hinojosa, voice
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